How Can I Miss You if You Won't Go Away?

I'm just going to rip this Band-Aid off first: I will not be blogging the fall season of So You Think You Can Dance. (Or, as Brigid accidentally, brilliantly re-named it, "Do You Think You SHOULD Dance.")

It's too much. It's 3 hours a week just to watch it, and the writing and the thought I like to put into it. I have too much to do, and if I'm being honest, too much other fall TV to enjoy.

Also, as far as I'm concerned, it's just too soon, and Too Much of a Good Thing. Which inspired the following list, entitled, "How Can I Miss You if You Won't Go Away?"

1. So You Think You Can Dance
My summer treat, my guilty pleasure! You started as the bastard step-sibling to the American Idol monster, and became the little show that could, impressing more and more people every season by showcasing contestants with actual talent and darling personalities. Your judges were unique and crazy, yet (mostly) surprisingly insightful and accurate, and four years running the results were totally satisfying.
And then you watered down your Top 20 cast for season 5 so you could build a story and a Top 20 cast for Season 6. The contestants were darling at first but we tired of them quickly, and no one was So Outstanding or So Committed that we felt like we couldn't miss a show, and desperately needed to vote. The Emmy nominations rolled in for dances that included Twitch standing by a door, and you celebrated your 100th episode, and suddenly it just felt like you were not just taking the dance seriously--something I have ALWAYS appreciated--but you were taking yourselves too seriously. Which is less fun. And just when I was thinking, "Yeah, but I bet I'm over it and ready for more dancing by next summer," you're already back with a whole new season? I don't know, honey.

2. Spike
Remember when Spike first showed up on Buffy, and her mom threatened him with an axe, and he was all new and scary and funny and interesting? And then when he showed up you were like Eeeee! Spike's back! Fun! And then they kept bringing him back? And then he was in Sunnydale all the time? And no one really knew why? And then there was that ill-advised romance with Buffy? And then suddenly there were TWO be-souled vampires and we were all like, What??? And then he was Crazy in the Basement for, like, ever? And then he moved over to Angel, and while Marsters & Boreanaz had awesome chemistry it was still like, "Great, just what this show needed: MORE DUDES."
Spike is the perfect example of how shit goes wrong when you give The People what they think they want. Spike was awesome as a recurring character. As a series regular, it was Too Much Spike. There weren't enough stories for him, so the stuff they ended up giving him was weird and shark-jumpy and just rang false. As someone who loved the character, I was pretty bummed when I realized I'd gotten totally sick of him.

Sometimes, you don't need Extra Virgin Olive Oil. Sometimes, you just need to cook with regular vegetable oil. Or canola. Or Pam. I'm looking at you Food Network. Seriously.

4. Cupcakes/Bakeries
I realize that I am spoiled with this in LA, but sweet fancy frosted Christ the cupcake bakeries have gotten OUT OF CONTROL. These used to be a rare and exciting TREAT. Now it's like, oh, cupcakes. There they are again. There's another bakery. Yawn.
And the thing is, if you taste the cupcakes they're still delicious. They're still a fairly exciting treat. The problem is that people have gotten so used to them being around, that they're no longer impressed when you bake them.

Or I bake them. So really, I'm just complaining that people don't appreciate my cupcakes enough.... yeah. Moving on.

5. Michelle Forbes
When Michelle Forbes showed up on Battlestar Galactica as the scary commander we were all like, "DUUUUUUDE YESSSSSS." And for awhile, it was awesome. Then it got tiresome.

Same thing on True Blood. She shows up and we were all, "Awesome! Scary villain time!" And she was a scary villain. She was slinky and mysterious and weird and creepy and it was great for a good long while. And then it got tiresome again.
I think the problem with Michelle is not her. She brings an intensity to her roles that is gripping. It's just that her level of intensity is hard to take, week after week, with no break. Maybe there's a problem with the stories she's in as well. But the upshot is that Michelle Forbes is like black pepper. It'll season up your food/show, but a little sure goes a long way.

I'm sure there are other things for this list, but that's all I got for now. What would be on your list?

In conclusion:


Anonymous said…
I agree on nearly all counts. SYTYCD is not shaping up to be my favorite dance show, and I'm a little bummed that they moved it to fall. I'd have been more pleased if Dancing with the Stars had moved and SYTYCD had remained a summer guilty pleasure. Also, that door routine didn't deserve the Emmy nod, but I loved the Marc/briefcase thing.

Spike was more fun when he was bitter and angry and EVIL. Sad, mopey, in-love Spike was boring, despite how hard Marsters worked it. He was, however, a delightful treat as a cameo on Torchwood.